“Give This Man a Beer”

Screenwriter Robert Towne died this week. He was a master at his craft and was the genius behind Chinatown, Shampoo, The Yakuza, Tequila Sunrise, Greystoke and Personal Best. He also did uncredited script-doctor work on Bonnie and Clyde, McCabe and Mrs Miller, The Missouri Breaks and Heaven Can Wait.

Towne had a regular family of collaborators — Jack Nicholson and Warren Beatty most prominently.

But he also worked with one of the great directors of the 1970s, that glorious decade for films. Those years gave us some of the greatest work from Martin Scorsese, Brian DePalma, George Lucas, Francis Ford Coppola and Steven Spielberg.

And also Hal Ashby, often overlooked when it comes to the great directors of that era.

But let’s look at Ashby’s resume:

Shampoo, Harold & Maude, Coming Home, Being There, Bound for Glory, Eight Million Ways to Die and many others.

Not bad. That’s like my list of favorite films from the seventies (and a couple into the eighties). I think Being There is one of the great American films and the performance by Peter Sellers is a magnificent study in restraint.

These two talents — Towne and Ashby- — intersected in 1973 with The Last Detail, based on Darryl Ponicsan‘s novel.

It’s not always easy to find this movie, so I was happy to see that Prime Video picked it up. It streams there.

This may be the most profane film ever made and Billy Badass Buddusky is one of Nicholson’s greatest roles.

The plot is simple: sailors Billy Badass and Mule (Otis Young) are assigned to Shore Patrol duty in order to escort young Meadows (Randy Quaid) from Naval Station Norfolk to the Navy prison in Portsmouth, New Hampshire.

Meadows is a kid, a virgin, an innocent, a guy who hasn’t lived yet. He’s going to prison for eight years for trying to lift some money ($40, if memory serves) from a charity donation box.

Quaid and Nicholson, camped out in a hotel room, doing their part to kill off 300 beers

The three of them have to pass through several states to get to Portsmouth and Badass and Mule decide to give the kid a dose of fun before he’s locked away.

As Billy Badass says, “No fucking Navy’s going to give some fucking kid eight years in the fucking brig without me taking him out for the time of his fucking life.”

Meadows isn’t even 21 so Badass and Mule take him to a bar when they hit New York City. The bartender refuses to serve them and when Billy Badass becomes belligerent, the barkeep threatens to call the Shore Patrol. Nicholson slams his piece on the bar and says, “I am the motherfucking Shore Patrol!”

Perhaps that scene is not as iconic as Nicholson’s diner scene from Five Easy Pieces, but it ought to be.

Nicholson and Young are excellent. Though Randy Quaid had made a couple of fims before this — notably, The Last Picture Show — this was the first sign of what an excellent actor he was. For those who only know him as Cousin Eddie from the Vacation films or for his sometimes-erratic behavior in his private life, his performance as Meadows will come as a revelation.

Badass and Mule don’t want to see Meadows to go off to eight years in prison without getting laid, so they arrange for the services of a prostitute, played by Carol Kane, in her screen debut.

I’m not a press agent for old movies, but I hope I’ve interested you in tracking down this excellent and oft-overlooked film.

Nicholson, Quaid and Towne were nominated for Academy Awards. Alas, there were no winners for The Last Detail. Ashby didn’t even get nominated.

Towne wrote the screenplay several years before the film was produced. Hollywood’s studio czars considered it too profane to film. When it was finally made, it set the record for use of the word fuck in a film.

I often say that the most important reason for the Internet to exist is to provide a platform for IMDB, the Internet Movie Database. Not only does it help us settle arguments about in what earlier film we’ve seen this or that actor, it also has fun stuff like trivia and quotes from films.

So below, from IMDB, some of Towne’s dialogue from The Last Detail.

Rest in peace, Robert Towne.

Buddusky ruminates on Meadows’ fate. The donation box from which he tried to lift the money was for the favorite charity of the wife of the Navy base’s commander.

Buddusky: Boy, they really stuck it to ya, didn’t they, kid! Stick it in and break it off. Up your giggy with a wah-wah brush, stick it in an’ break it off.

The three sailors come across a conciousness raising group and Meadows takes up chanting. This helps when they meet a beautiful woman at a bar.

Buddusky: If this guy gets pussy out of this, I’m gonna eat my fucking flat hat, man.

Mulhall: Yeah, and I’m going to start chanting too.

Meadows: [returns to table with Mulhall and Buddusky] Hey, you guys? Drop your socks and grab your cocks. We’re going to a party.

The New York bartender won’t serve Buddusky and company. He nods toward Young, who is black, and says he would only serve him because the law forces him to. Buddusky threatens to kick the bartender’s ass.

Bartender: You try it, and I’ll call the shore patrol.

Buddusky: I am the motherfucking shore patrol, motherfucker! I am the motherfucking shore patrol! Give this man a beer.

Meadows: I don’t want a beer.

Buddusky: You’re gonna have a fuckin’ beer!

Buddusky is frustrated by Meadows’ passivity.

Meadows: Hey, you guys mind if I say somethin’? That guy at the bar, why did you get so mad at him? I don’t blame him not givin’ me a beer.

Buddusky: Hey, don’t you never get mad at nobody?

Meadows: Well, sure I do, yeah.

Mulhall: Who do you get mad at?

Meadows: Not at somebody who’s doing their job.

Buddusky: Who, then?

Meadows: Injustice.

Buddusky: Bullshit! You never get mad at nobody. You’re just a pussy!

Meadows: I do too get mad.

Mulhall: Did you ever get mad at the old man for what he done to you?

Meadows: Well, he was just…

Buddusky: …doin’ his job. Hey, they’re gonna take eight years outta your life, man.

Meadows: Six years. You said six! [Buddusky told Meadows he could get two years off for good behavior.]

Buddusky: Hey, what the fuck difference does it make? You don’t even care about it.

Mulhall: Come on, Badass, that don’t help him.

Buddusky: Fuck help, fuck fair! Fuck injustice! Don’t you ever just wanna fuckin’ whomp and stomp on someone, bite off their ear, just to do it…? I mean just to do it, just to get it out of your system?

Mule, Meadows and Badass

Badass and Mule ponder what prison will be like for Meadows.

Buddusky: He don’t stand a chance in Portsmouth, you know. You know that, don’t you? Goddamn grunts, kickin’ the shit outta him for eight years… he don’t stand a chance.

Mulhall: I don’t want to hear about it.

Buddusky: ‘Maggot’ this, ‘maggot’ that… Marines are really assholes, you know that? It takes a certain kind of a sadistic temperament to be a Marine.

Badass takes Meadows to an adult bookstore, to prepare him for his deflowering

Meadows: [looking at porn] Are they really doing that when they take that picture?

Buddusky: [pause] Well, kid, there’s more things in this life than you can possibly imagine. I knew a whore once in Wilmington. She had a glass eye… used to take it out and wink people off for a dollar.

Meadows prematurely ejaculates while undressing with the prostitute. She considers her transaction with Meadows to be over, meaning he will remain a virgin. This is intolerable to his mentor.

Buddusky: You wanna try it again, kid?

Meadows: Yeah.

Buddusky: [to prostitute] Okay, honey.

Mulhall: Don’t worry about it, kid… plenty more where that came from.

Buddusky: You got all night, kid.

Earlier, before going to the brothel, the sailors hook up with a woman in a bar. She and her friends offer to take the sailors to a party, but they have no interest in anything other than chanting and lamenting the military industrial complex.

Meadows: If you’re Catholic, do you think it’s, uh, sacrilegious to chant?

Buddusky: Did it get you laid?

Meadows: No.

Buddusky: Then, Meadows, what the fuck do you want to go on chanting for?

Mulhall: Chant your ass off, kid. But any pussy you get in this world, you gonna have to pay for, one way or another.

Buddusky: Hallelujah!

Mule lays out parameters for his relationship with Badass.

Mulhall: I consider myself in jeopardy with you, man, understand? In jeopardy. This ain’t no farewell party an’ he ain’t retirin’. Understand? He’s a prisoner an’ we’re takin’ ‘im to the jailhouse. An’ you have a tendency to forget that. You’re a menace, man. You ain’t no simple shit, Bad-Ass, you’re a motherfuckin’ menace. But from now on, MAA can go piss up a rope! You ain’t no honcho! An’ I wanna hear no more of this horseshit psychology jive! No more turnin’ that boy’s head around to prove what a fuckin’ big man you are! You’re a lifer like me! Navy’s the best thing ever happened to me, an’ I don’t want’cha to fuck me up, ya understand?

Buddusky’s response to a woman’s sarcastic remark about his navy uniform.

Buddusky: You know what I like most about this uniform? The way it makes your dick look.

Bill McKeen’s Dream

Reader’s Digest used to have a feature called “My Most Unforgettable Character.” When Sonny Bono died, Cher delivered the eulogy and said that Sonny was her nominee for that role.

This is Part 42 of my Asshole memoir.

Mine is Jerome Laizure. I knew him for only four years in the mid-eighties. We wrote or called only sporadically in the years after I moved away from Oklahoma, but he was always on my mind.

He ran the printing operation of the Oklahoma Daily during my years teaching journalism at the University of Oklahoma. His office was on the other side of the building, and we’d often hang out in the no-man’s-land in between, in the journalism school’s main lobby.

Jerry

Jerry was fearless. The man had no filter, and I loved him for that.

“Hey, Jerry,” I’d say. “Ed Carter wants to talk to you.”

“Well, he can just kiss my cracked ass,” Jerry’d say in that deep-gut twang.

Didn’t matter who was standing within earshot. Jerry was Jerry and he said whatever was on his mind. He never worried about what people thought. He was ill-disposed to kiss any ass on the planet.

He was one of the strongest, most ethical people I ever knew.

I realize that this kiss-my-cracked-ass thing doesn’t endear him to you, but context is everything. You had to be there. He was a Picasso of profanity. I should solicit our shared friends for more examples of his brilliance with blue language, which put him in the same rarefied and profane air as Hunter S. Thompson. But even if I compiled a three-volume catalog of his swears, it would detract from what I want to say.

Rough on the surface, he was unsentimentally sentimental. He could go zero-to-60 with curses in record time. Above and beyond these theatrical qualities, he was an intelligent, sincere and wise dude. He shepherded scores of students into careers as journalists and was, during a difficult time in my life, my conscience and my great friend.

He left the university and started a weekly newspaper in a nearby small town and later went on to a distinguished career in photojournalism. I was gone by then, but could still admire his work. If anything happened in Oklahoma — and lots of things did that made the national magazines — look at the photo credit. Good chance it was Jerry’s work.

He and I were about the same age and so I have to say that when he died some years back, he was much too young. Much.

He’d been dealing with a number of health issues and in our infrequent communiqués, he’d tell me of all the things he could no longer do.

His death was a shock to me, but perhaps not so to those closest to him. He was not tall, but still managed to be a towering figure, larger than life. I didn’t understand how fragile he was.

He was deeply loved. When he died, his Facebook page turned into a tribute, a virtual temple of bouquets left by those whose lives he touched. In the days after his death, I’d look at his page every few hours, to read the new bouquets left by friends. The family posted pictures of the funeral, and his children wrote about how fortunate they were to have him as a father.

A week or so after his death, I checked his Facebook page on a Sunday night. Peggy, his wife — now widow, I suppose — had posted: “Damn it, Jerry. Where’d you leave the remote?”

Man, they loved each other, and they set a high bar. We should all be so lucky to have a relationship like theirs.

Jerry in 2012, near the end

Back in the old days, back in the eighties when our children were small, I used to love to hear Jerry talk about his kids. “I got three,” he’d say. “One of each: a boy, a girl, and Jackson.”

Maybe that’s a subliminal reason I have a son named Jackson. (I’d been pushing for Elvis, and the family history is murky on how he became Jackson, but Jerry’s son might be the reason I didn’t put up a fuss when the name was suggested.)

Jerry’s death shook me as much as a death in my biological family. There were few pre-cancer times when I had such a sense of fragility.

I hadn’t seen him in years, but he was there, in my head, and at the other end of the keyboard when we’d exchange messages.

I’d moved away to Florida and always wanted him to come visit, telling him to bring the family, to stay at my house, and have a cheap-ass trip to Disney World. He said he’d come, but it never happened. He was always working.

I wanted to take myself back to the old days, when Jerry would saunter across the lobby to my office. I was doing a term as assistant director of the school, stuck in an windowless box in the administrative suite. I’d hear the outer door open, but couldn’t see who was there. Then I’d hear him gently growl at the receptionist.

“Is that useless dipshit in?” He was from Bartlesville and had an oilfield twang. The receptionist giggle would follow, no doubt accompanied by her finger pointing toward my office.

Then he’d darken my door: “Are we going to eat or what?”

So we’d amble across the street — Jerry never went anywhere with dispatch — to our local burger joint, the appropriately named Mister Bill’s. We had the menu memorized and each day had a different special — the California Burger, the Grandma Burger, the Salsa Burger and so on. We ordered in kind and, now and then, committed that work-day sin of a lunch-time beer.

Those long lunches and conversations were my graduate education in human studies. Jerry was so much smarter than me when it came to understanding our fellow beings and their psychology. I wrote about people and what they did, but Jerry seemed to know what people would do before they did it, before even they knew what they would do.

The beautiful University of Oklahoma campus

Those afternoons at Mister Bill’s were my Paris in the Twenties or my Algonquin roundtable, but with a limited cast of characters. Jerry and I never tired of talking or ran out of subjects to consider, or world problems we were called upon to solve. We were fine on our own, but now and then we’d ask someone else along.

Of course we’d eat, but the point of the meal was to share time, that most precious of commodities.

When I think of childhood dinnertimes, I don’t think of the food — though both of my parents took great pleasure in cooking. I think of the time spent.

At the time, lunch with Jerry was lunch with Jerry. Only later, decades later, did I realize what Lunch With Jerry had meant.

He always busted my chops. He’d see my empty plate and do a double take worthy of Curly in a Three Stooges two reeler.

“McKeen, you don’t fuckin’ eat — you inhale.”

Mister Bill’s, now out of business

What I wouldn’t give to have him good-naturedly berating me right now. He always used the expression “stacking shit.” So he would want me to say what I miss is him stacking shit on me.

Yeah, that’s more Jerry-worthy.

What I want to say: Eating is more than nourishing our bodies. We show our humanity across the table, and over food. We break bread. We dine with friends. We talk. We show our love.

I find myself thinking of the song “Bob Dylan’s Dream”:

How many a year has passed and gone?
Many a gamble has been lost and won
And many a road taken by many a first friend
And each one I’ve never seen again


I wish, I wish, I wish in vain
That we could sit simply in that room again
Ten thousand dollars at the drop of a hat
I’d give it all gladly if our lives could be like tha
t

Jerry has been gone for years now. I’m here in the kitchen. The boys are with their mother tonight and this large house is too quiet. It’s raining outside and I stand over the sink in the pathetic dance that we single men do — eating, standing up, trying not to make a mess, trying not to dirty a dish. Now, with my innards rearranged, I no longer have the capacity for a meal. I eat only to stay alive.

The gastric surgery has changed my life, and quickly. Eating too fast or too much means pain. My new body can’t do the job my old body used to do. I must retrain this carcass yet again.

I’ll figure it out, but these first weeks are hard, especially as I stand there at the window, doing the single-man dinner dance I thought I’d left behind.

I think about the great meals of my life — at an open-air bar in the Florida Keys, a table in the courtyard of Joe Garcia’s in Fort Worth, the upstairs at Commander’s Palace, or a long-gone burger joint in Norman, Oklahoma — and think about those moments and those friends and think those are the moments that will unspool (assuming I get the chance for that final midnight showing) on my deathbed.

I wish, I wish, I wish in vain that we could sit simply in that room again

Yet here I am — standing over the kitchen sink, alone.

What I want to say:

Eating is more than nourishing our bodies. We show our humanity across the table and over food.

We break bread. We dine with friends. We talk.

We show our love.